Project type: Proposals

Val De Moses

Yoga Pods

Competition entry for the Val de Moses yoga retreat in Portugal in collaboration with Clara Cruz Almeida.

A small but versatile off the grid cabin for a mountainous forest site, made mostly of local materials.

Proposal: 2021

Location: Val de Moses, Portugal

© Nico van Loggerenberg, © Clara Cruz Almeida

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Urban Confluence

 The original San Jose light tower was a monument to progress – a delicate structure providing light to benefit all citizens, in the spirit of American progress and democracy. This new proposal aims to revive that spirit, creating a monument to the unrivalled ingenuity of Silicon Valley.

 

The structure of this new ethereal form recalls the daring of the original tower, but it is now combined with a powerful overlay – the interplay and choreography of scores of dancing drones, greatly expanding the monument in form, idea and spirit, allowing the expression of multiple voices that transform the monument continually.

 

Proposal: 2020

Location: Palo Alto, California, USA

© Nico van Loggerenberg, Marco Cianfanelli

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Project Statement

The original San Jose light tower was a testament to the daring spirit of the times – a delicate structure, a line drawing in the sky, which provided light for all below. This new proposal revives that democratic spirit, with an elusive, gestural tower surrounded by swirling, moving light forms. It is the result of the synergetic interaction between two distinct elements, physical and gestural, body and soul.

The physical structure comprises two towering, intertwined carbon-fibre and steel ribbons, emerging from a ripple-like depression in the ground. It references the slender and progressive original light tower and peoples’ interdependence. The gestural aspect comprises a series of animated light orchestrations, created by the programmed flight of brightly lit drones (emitters), constantly changing their patterns, lights, and forms, involving the public as active authors in the sculpture, which can be constantly reimagined and recreated over time.

The emitter paths can be regularly reprogrammed by crowdsourcing – creating the first ever democratic public sculpture, open to all, regardless of background or education. The resultant diversity of form, colour, and pattern directly reflects the diversity of voices forming the communities of San Jose and beyond, allowing a multiplicity and democratization of the sculptural form and even the ability to be a marker of significant events. This open public spectacle defies the tradition of static monolithic monuments, authored by individuals.

The emitters house cameras, allowing remote virtual exploration of the sculpture or park, filming from any angle, and even a selfie-assistant. Energy-efficient programmable LEDs allow limitless, constantly changing exploration of form, colour, and pattern, timed and compliant with any restrictions from aviation control. This allows a small physical footprint, utilising net-zero carbon construction, while forms expand during choreography to encompass the entire park without harming the local environment. The attractor is an iconic, unique design, with a form that is both instantly recognisable and deeply complex, visible and impactful by foot, bicycle, highway, air and even remotely.

Both the physical and gestural forms are inspired by the ‘Butterfly Effect’ - a concept in chaos theory which claims that even the smallest actions can have wide-ranging ripple effects. This highlights the fact that despite a determinstic universe, our imperfect knowledge of the present means that the future remains inherently unpredictable and infinite. This is a call to us, to consider future generations, and to know that our choices today can have seismic effects on the future.

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Raised By Wolves

Raised by Wolves

In 2018 I briefly joined the team at Film Afrika outside Cape Town to work on the production Raised by Wolves, a new science fiction TV series for HBO Max directed and produced by Ridley Scott.

As a long-time science fiction and Scott fan, this was a dream opportunity. I was tasked with creating two of the spacecraft used in the series, both as digital models for visual effects, and as physical sets to be used for filming. In addition, I designed some furniture, laid out exterior sets and did some general design and fabrication drawings.

The design directive was to create vehicles inspired by handheld tools – specifically electric shavers. The spacecraft of the protagonist and antagonist were based respectively on the ergonomic Philishave, and older Braun models designed by Dieter Rahms. Many iterations were drawn, 3D printed, and then tested in the hand. The final ‘lander’ vehicle drew inspiration from Lamborghini concept cars of the late 90’s, tadpoles, and the Prius electric vehicle. These sets were created with many moving and removable parts, so that space for the crew to move around and film was always available.

The second vehicle I was responsible for was a modification of an existing aircraft chassis, abandoned for years in a Cape Town hanger – a Soviet made Hind/Mil Mi-24 ‘flying tank’ attack helicoper. The challenge was to strip and then add to this rolling chassis to create a vision of a futuristic attack craft. By researching current design trends in fighter jets, I arrived on a swept-wing design which took a speculative look at where Soviet design may have gone in another few decades.

In addition to the renowned personalities working in the design studios, I also had the opportunity to interact with very talented makers on the physical sets, and the privilege to see some of the best carpenters and contractors in the country improvising methods to bring complicated NURBS-based digital models to life in materials using ancient boat-building techniques.

 

Released: 2020

©HBO

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Hemelsbreed Venue

Hemelsbreed Venue

A steeply sloped site, disturbed by invasive alien vegetation, earmarked for rehabilitation, and development with a removable, low-weight, low-impact venue.

 

Early site models and massing development.

 

Proposal: 2019

Location: Greyton, South Africa

© Nico van Loggerenberg

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Cross Road

On a steeply sloping site in a suburban setting, Gregory Katz Architecture proposed a series of stepped, planted balconies and overhanging spaces to create a medium rise development.

 

These renders were developed to use in marketing material and for council approvals. Variations in interior design, outside spaces, and levels of planting were tested.

 

Proposal: 2019

Location: Johannesburg, South Africa

© Nico van Loggerenberg, © Gregory Katz Architecture

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Klaserie Sands

Klaserie Sands

A foreign client, upon visiting this game reserve, fell in love with the Lowveld outside of Hoedspruit, and after purchasing a plot, built a house next to a river. Unfortunately, this house was badly damaged in an unprecedented flood before completion. Unsatisfied with the repaired home, we were invited to propose a renovation, with the aim to improve the ventilation, light quality, and connection with nature of the house, while retaining the current shade, views and privacy.

 

A series of small moves were proposed which added up to a radically different experience. By changing the approach to the house, the current domination of cars, driveways, and parking was removed, and privacy was increased. A small garden to the north attracts bird-life. The use of grassed berms, just tall enough to prevent casual glances into the house, function aesthetically as framing devices to create defined views.

 

Additionally, new rooms were proposed on top of the existing structure, functioning like tree-houses, perfect for bird watching, or as bedrooms for extra family members. The existing pool is to be re-purposed as a green or natural pool, and all new construction was to use the abundant and beautiful local mica stone.

 

Proposal: 2020

Location: Klaserie Private Game Reserve, Limpopo

© Nico van Loggerenberg

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The Ridge Masterplan

A masterplanning proposal for The Ridge school in Westcliff, Johannesburg. After 100 years of development, the school has suffered from many incremental developments without a clear, coherent masterplan.

 

With a privileged position on a high ridge in central Johannesburg, the school has views, ecological diversity, and interesting geology, but the current disjointed site fails to make maximal use of these possibilities. The plan, conceived with artist and ex-student Marco Cianfanelli, was to create new courtyards, axes, and green plazas. These would allow for more of the site to return to indigenous vegetation, while improving the quality of the built space.

 

Proposal: 2019

Location: Westcliff, Johannesburg, South Africa

© Nico van Loggerenberg, Marco Cianfanelli

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Smuts House

Proposal for a new multi-functional structure on grounds of existing heritage house outside Irene, Pretoria, where Jan Smuts spent his last years.

 

Proposal: 2019

© Nico van Loggerenberg, © Craig McClenghan Architecture

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In progress: WFH

In progress: WFH

With Rebel Base Collective

New luxury green housing. Details to follow.

 

Proposal: 2019

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